PART TWO: PHOTOGRAPHY THE ECSTASY OF POSSESSION
"Platonic and precious renaissance light transform an expression and sentiment in the Baroque. It is not a omnipresent light, but is now directed to where and in that which we are interested.
The light, the climate, and the atmosphere which generates anguish, pain and mystery (Caravaggio, Vermeer, Velásquez y Van Eyck).
The second part has to do with the masochism woven into religion.
It is exemplified by characters who all committed a severe act, or a murder influenced by a "divine" mandate.
The question proposed by the artist is, how can a human being reach this point?.
He examines the dichotomy between fear/inflicted pain and the pleasure/ecstasy they experienced. The reason for good and the divine. Martyers possessed with a certain “influence”.
2. PART TWO: Photography
2.1 Judith
2.2 Child Baptism
2.3 Slave Baptism
2.4 Archangel
2.5 Sacred Heart (Transition of a photographed object to objects)